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The Season’s Best New Musical
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The Season’s Best New Musical

Some shows are so full of heart and so overflowing with integrity — of talent, of skill and of purpose – that a critic is torn between singing its praises from the rooftops and wanting to protect something rare and fragile.

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Nothing Lost in Translation
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Nothing Lost in Translation

As delightful as well-done big-budget musicals can be, I’m certain that the future of the musical as an art form lies in the stripped-down style of small-scale production pioneered by John Doyle in his landmark revival of “Sweeney Todd.”

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The tills are alive
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The tills are alive

Musicals are risky in real life, too. So when David Geffen, a showbiz mogul, approached Mr Brooks about turning his movie into a musical over a decade ago, Mr Brooks dragged his feet. Mr Geffen tried to convince him it was worth the hassle: he had made more money on the musical “Cats” than on any film he had ever made.

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The new song of Broadway
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The new song of Broadway

The entertainment buzz this summer doesn't just center on how many million more boys will watch the "Transformers" sequel or how many million more songs Michael Jackson can sell posthumously. For certain showbiz cognoscenti, eyes are on another kind of potential blockbuster -- don't laugh -- the adaptation of the "Spider-Man" franchise as a Broadway musical.

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Live Nation sells off theater division
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Live Nation sells off theater division

Live Nation has at last sold off its theatrical biz, with Key Brand Entertainment, a private investment company owned by Brit theater producer John Gore and American Film Executive Tom McGrath, acquiring the legit division for $90.4 million.

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